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美国漫画史8.2

类型:纪录片  加拿大,美国   1988-09-10

主演:罗伯特·克鲁伯 弗兰克·米勒 斯坦·李 Lynda Barry Charles Burns Sue Coe Harvey Pekar

导演:罗恩·曼恩

剧情简介

  《美国漫画史》是1988年的一部纪录片。由罗恩·曼恩执导,罗伯特·克鲁伯、弗兰克·米勒、斯坦·李等联袂主演。美国漫画史,又名Comic Book Confidential。n the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's and 1960's typified with the rise of the dramatically innovative Marvel Comics edited by Stan Lee. Still more important is the rise of the the gleefully uninhibited underground comics created by eccentric talents like Robert Crumb and Dan O'Neill. These leads to profiles of creaters like Harvey Pekar who take the medium into new directions of expression. In the late 1970s and '80s we see the rise of alternative comics with such bold talents like Jaime Hernández for "Love and Rockets, Sue Coe for How to Commit Suicide in South Africa and especially for Art Spiegelman for his searing Pulitizer Prize winning Holocaust account, Maus. Finally, we learn of the medium's superhero mythos' revitalizing moment with the creation of Frank Miller's ferocious min-series "Batman: The Dark Knight Returns". Taken together, the film makes its arguement that the medium is far more than the stereotype of juvenile trash but rather it is an artform with a wild history and an exciting future.

综合评分:
  DVD电影网评分8.2,算是一部高评分电影作品,亲们,能有此分数的电影也为数不多呀,推荐大家值得观看。

影迷点评:
  blueshadow 说:漫画始终是最美国的艺术形态(漫画、爵士乐和电影),此片回顾了70、80年代的漫画众生相。蝙蝠侠的变化无疑是个例证,地下漫画代表的呀文化逐渐被文化工业收编,成为“风格”,而地下漫画的魅力永远比“风格”更多。
  AAA安琪 说:一遍关于中国动漫产业的文章,结果写了一本日本动漫史话,一本美国动漫史话,我也是醉了。书没有深入的剖析,都是一些百度上能搜到的,鉴于我自己没有体系,所以跟着作者的节奏看还是可以。
  kylegun 说:美漫简史,一群年轻时的大师自述真开心。重点放在介绍地下和独立的漫画,最后用当时的新人FRANK MILLER结尾。这部片主要是拍来调侃现在早已退出历史舞台的漫画审查机构吧?

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